“What should we do with the legacy left by our predecessors?” seems to have been the theme of this weeks media consumption. And not only media, i’m starting to ask what i will leave for my kid one day. Taking old ideas and update them for a contemporary audience is a good thing in principle. But it seems we are at a time where the Zeitgeist isn’t as clear as two generations ago.
Star Trek Discovery is an example for this uncertainty. The newest series in the franchise sits between Enterprise and the “Classic” series. And that is it's biggest strenght and weakness. Strenght because the current Zeitgeist could use a story that ends up in a better place than it started. There is war and suffering in the Star Trek universe; but not amongst humanity or the Federation Of Planets. And if there is beef amongst them in most cases it gets resolved without to much drama.
And i’m tired that after the reboot movies used the old conflicts to tell “new” stories we get the same thing again. Enterprise already did that and did not entierly succeed.
It isn’t fair to compare Discovery to any of it’s predecessors because so far we only got to see two episodes. And those acted as an overture to the rest of the show. But judging from those two entries i’m not convinced the series will work.
Lets start with the visuals. Of course it can’t look cheaper than the adventures of Kirk & company but it also should not look to good. Well, Discovery looks to good and advanced for its own good. And i’m not talking about the lensflare effect that seems to have become a must for Star Trek or the "cold designwork". The use of the computer as well as the holographic displays and touch controls are a thing unseen in the classic series. So one of the big questions from the get go is “how will this be retconned?”
The new design of the Klingons is a thing i'm ok with. The reasoning behind their actions are convenient for the plot. And while Star Trek is the perfect canvas to look at current times from a distance it's used rather blunt here.
Michael Burnham is our main protagonist in this series. She's a human that attended the vulcan science academy and at the start of the series the first officer of the starship Shenzhou. In a Gilmore Girls-like exchange between her and Captain Philippa Georgiou she gets offered a command and spends the rest of the two episodes making me ask how she earned this. As a character i find her interesting. Sarek (Spock’s dad) rescued her from a colony that was destroyed by the klingons and took her under his wing. And the reverse Spock story should give her motivation a spin. But in the end she comes off as brash und unreflected. Her time on vulcan should have made her able to control her emotions by utilizing logic, but the show seldom takes advantage of this. Saru also feels like a one trick pony. The alien portrayed by Doug Jones is a great effect but feels like the "always act against what he says" character. The backstory of his species is intriguing; his people being prey to another species. I get the impression that he was Michael Burnham at some point in the development of the show.
The Orville, a show inspired by Star Trek could have filled the space that Discovery doesn’t quite fit in yet. What stands in the way is the humor utilized in the show. In this homage to Gene Roddenberry’s work humanity is on the way to reach enlightment, and manages to adress some current issues wedged between dick and fart jokes. And this approach is more true than Discovery’s high horse approach. Discovery has the better acting and the franchise on it’s side while Orville feels more in line with it’s refeernce material. It says “Fuck it, let’s do our best to get there.” Every character in that show feels like it is working towards achieving what we saw in The Next Generation. And i miss that in Discovery.
I'm tired of seeing Klingons and the Federation fight. And why didn’t the Vulcan's tell their partners about the Klingon customs?
Yes, this could be the one show that doesn’t work as well as it’s predecessors, but even if that will be the case the wreckage will be a beautiful glowing mess.
Niv and i got together to start a new season of our podcast, Asteroids In Exile.
We talk about what we have been watching, trailers, Star Wars and amongst other things, we are very judgemental about the DC-Comics based movies.
Listen to it here, or tune your favourtie podcatcher.
Thank You for your time!
Hope you’ll find the time to watch it on the weekend!
Soooo, now that i’ve seen it in its entierty thanks to the phenomenon that is binge watching i thought i’d sum up my thoughts:
Although the looks and mannerisms of the titular character as well as Max Landis involvement put me off at first it did not come out as bad as i thought.
While this iteration of Dirk Gently has almost nothing in common with his counterparts (my guess is that down the line we’ll learn about alternate worlds in which the the print/radio/other tv version is a reality) it works in the context of the story. And embracing the holsitic detecting is one of the saving graces of the show. It is the curiosity of seeing the prestige at the end of the magic trick you’re wittnessing that kept me watching as well as all the props used in the trick.
It isn’t nice to call the actors involved props considering that their performances are another positive aspect of he show, but it works with the magic trick reference. Sorry.
Even if i’m not keen on Samuell Barnett and Elijah Wood as the main characters i see that their chemistry, which is a mix of recent Doctor Who and Sherlock interactions, will be something that the audience will grab on to as an anchor to center them in the seemingly random events unfolding around them.
This all sounds more negative than it actually is. I enjoyed the show because it truly feels new and not like it is trying to utilize my nostalgia for it’s gain.
I’m looking forward to seeing more from Justice League Action.
Here’s a clip including SWAMP THING!!
But despite the oddly coloured jackets the titular character wears and Elijah Wood as his assist-friend i came to the conclusion that it’s not that bad after two episodes.
But it will never erase my dissapointment about the cancellation of the Stephen Mangan and Darren Boyd helmed version of the holistic detective.
The official Star Wars YouTube channel posted a short clip from the third season of Star Wars Rebels which gives us a glimpse of Kanan meeting the Bendu, a force sensitive being that “occupies the middle ground” between the two sides of the force.
Kanan’s new look is great. Although he doesn’t seem to be compfortable with his place in the world, his new outfit and the beard grant him an air of nobility and wisdom while he still seems to not trust the force entierly (yet).
 the Jedi were called Jedi-Bendu in the original draft for Star Wars (Episode IV)
Death In Paradise is a british (BBC?) show about an english Detective Inspector being transferred to the fictional caribbean Island of Saint Marie where he and the other members of the local police force solve a murder every episode.
The show features one or more known face from british television every episode and is a delight to watch. Not that it is overly complicated, but the first two season feature Ben Miller as the main protagonist, and his portrayal of the bulletin board stiff upper lip british gentleman, who refuses to don an airy attire despite the new climate he now works in is a part of my spirit guide.
He gets killed and replaced by a new DI played by Kris Marshall, who’s chief officer goes into the direction of a brilliant but chaotic cop.
The best thing about the show is that it not only crushes it’s enemies, but features tropical landscapes which is relaxing somehow and it doesn’t matter wether one starts watching an episode from the beginning, every few minutes there is a summarization that brings the viewer up to speed.
It’s a great program to watch in winter.
 i’m aware that you are all aware of how a police procedural show works, but for completions sake, i explained it).
 a Conan reference, from the first movie not the books. just in case.